It’s been too long….
One my flashes is being published in the upcoming Reflex Flash Fiction anthology.
I’ve had feedback from my YA book from both adults and children for a competition run by #writementor. The adults’ comments were lovely and uplifting, the children’s comments were lovely and brutal, such as, ‘I didn’t like the topic’. Eek. However, the main contact of the competition said, ‘…it must have tons of potential to have made the LL!’
Have entered a free short story comp, run by Limnisa, which offers a prize of a holiday for the winner!
I am a natural lazybones and a fantastic procrastinator – the best, in fact. Since receiving the rejection/suggestions email from a publisher last October re my novel, I haven’t looked at the novel since. And this despite my assertion in my last blog entry that I would start there and then. Lies!
But today is the day I started to sex it up and pimp it out, after reading that Jean-Dominique Bauby, an author who suffered a stroke, was forced to ‘dictate’ a book about his life, The Diving Bell and the Butterfly, by blinking his left eyelid. Now that’s madness dedication. If Bauby and his eyelid can create a book then I, with ten working fingers and both eyes capable of blinking, have no excuse.
A flash of mine to read
I received feedback from the publishers exactly a month ago. They are not publishing my novel. (I’m not so hot at describing emotion so I’ll skip what I felt.)
However they kindly sent a page and a half of feedback. I believe you can pay around £500 for this type of feedback from a literary agency.
I read it over and have to agree with everything they said. There is ONE paragraph on what is good about the novel – pacing (that’s a biggy) and the protagonist and a few other things. Then the rest is taken up with suggested improvements: mainly plot and relationships (and the emotions therein). That’s a lot of rewriting to do which is why I have been hard at work penning, planning and editing… anything else. Anything but my novel. I can’t bare to look at the thing. It’s offensive. But as a friend said to me the other day, Stay strong and carry on. I have paraphrased this as, Stop being a wuss and just get it done.
The slog starts here…
When my son was young, about 5 or 6, I asked him if he knew what patience meant (he was agitated about his tea taking more than a few seconds to arrive at the dinner table). He mumped out, ‘Waiting.’ Perfect one-word answer.
I entered the first chapter of my novel in a competition recently and a couple of weeks later the publisher asked for the full ms. Heck, it was only two drafts in which meant it was rough and unready. Fortunately I had told them this. No problem, they said, you have a week to polish it up. Polish it up? Polish? What a terrible week I had. When I wasn’t at work I was at the pc, trying to ‘polish’ my sandpaper effort into marble-smooth quality.
I failed. The task was too big. And so here I wait and wait, impatiently, to hear what they think of it, hoping they give me the perfect one-word answer.
When thinking of the recurring themes in my stories I have to say drink features a lot. My first short story win was about a drunk being forced to see the light. There is barely a story of mine that doesn’t mention booze – even in a cursory way, such as, ‘…said Tom, waving a glass of gin.’ It’s like the backbone of my plots. Should I be worried?
I was short-listed in June for my short story Mrs Punch’s Last Stand in the Belfast Book Festival and it’s set in a hotel with, yes, a bar where one of the characters gets wellied after her husband’s funeral.
All our soaps from Eastenders to Emmerdale have life (and plots) centred round the pub. You didn’t find Miss Ellie getting blootered in a downtown Dallas bar or Krystal Carrington getting the heave from her local for dancing on the table. Think it must be a British thing – the backbone of our society, perhaps.
Frankly, if booze didn’t exist I think my writing output would be miniscule. And if booze didn’t exist that would certainly be something to worry about.
Saying all that, I had a flash published on-line you can read here which does not feature drink in any form whatsoever.
Not completely, of course, but in a sort-of way. I read a flash fiction piece for the Vernal Equinox comp through in Glasgow a couple of nights ago. It was my second time in front of the mike and just like the previous time I was first up. That’s good, I thought, get it over and done with; sit back and listen to everyone else. There was no relaxing – only churning over the reading’s post-mortem. Was my voice audible/well-paced/non-squeaky? The story can be read here
Does speaking in public get any easier? Does speaking your very own crafted words in public get easier?
*idea* – perhaps competition organisers should have us reading one another’s work? I quite fancied the story about the woman with the continuously-growing hair.
Photo blurred, probably owing to me shoving my phone into my (unknown) neighbour’s hands and asking her to take a photo just before I went up.
p.s. happy Summer Solstice
My flash story, Boulder, features in this anthology that is available to buy through the Brighton/Rattles Tales website: http://www.brightonprize.com/congratulations-2017-winners/ Lots of excellent tales.
Things have been quiet on the writing front. Although I’ve finished the first draft of a novel I can’t face looking at it and have been dithering about, doing anything but sort through the mess of 60,000 wandering words.
After someone (the lovely Maisie Chan) heard me read out a story (the one time I’ve done so) I was invited to join the SCWBI (Society of Children’s Book Writers and Illustrators). I’ve been along to two meetings and have learnt the usefulness of being critiqued. Unseen errors, rotten grammar and wavering plot lines blare out to fresh eyes so I’ve grown a thicker skin during those meetings – and a fixed smile.